Dorita Savert
TIME 11, 2026, acrylic glass, flowers, nuts and bolts, 25 x 19 cm. Plants grown in the garden are processed in the TIME series as preparations for a microscope. The transience of a few years captured between 2 acrylic plates. Fungi develop, shapes and colors change. A layer is added after each growing season.
TIME 06, 2026, acrylic glass, flowers, nuts and bolts, 25 x 19 cm. Plants grown in the garden are processed in the TIME series as preparations for a microscope. The transience of a few years captured between 2 acrylic plates. Fungi develop, shapes and colors change. A layer is added after each growing season.
TIME 03, 2026, acrylic glass, flowers, nuts and bolts, 25 x 19 cm. Plants grown in the garden are processed in the TIME series as preparations for a microscope. The transience of a few years captured between 2 acrylic plates. Fungi develop, shapes and colors change. A layer is added after each growing season.
46.67N4.12E (from the series coordinates), 2026, photo on dibond, 30 x 45 cm.
45.85N3.54E (from the series coordinates), 2026, video projection without sound
53.24N5.50E (uit de serie coördinaten), 2026, videoprojectie zonder geluid
MSMW 2 (Midsummer Midwinter part two), 2025, video projection about growing up in 2 worlds.
MSMW 1 (Midsummer Midwinter part one), 2025, video projection about growing up in 2 worlds.
Watching (video), short fragment, Distributie Collectie LIMA (Living Media Art) Amsterdam
Four Roses (video), short fragment, Distributie Collectie LIMA (Living Media Art) Amsterdam
TIME 09, 2024, acrylic glass, flowers, nuts and bolts, 25 x 19 cm. Plants grown in the garden are processed in the TIME series as preparations for a microscope. The transience of a few years captured between 2 acrylic plates. Fungi develop, shapes and colors change. A layer is added after each growing season.
TIME 08 (detail), 2024, acrylic glass, flowers, nuts and bolts, 25 x 19 cm. Plants grown in the garden are processed in the TIME series as preparations for a microscope. The transience of a few years captured between 2 acrylic plates. Fungi develop, shapes and colors change. A layer is added after each growing season.
TIME 07, 2025, acrylic glass, flowers, nuts and bolts, 25 x 19 cm. Plants grown in the garden are processed in the TIME series as preparations for a microscope. The transience of a few years captured between 2 acrylic plates. Fungi develop, shapes and colors change. A layer is added after each growing season.
TIME 08 (detail), 2024, acrylic glass, flowers, nuts and bolts, 25 x 19 cm. Plants grown in the garden are processed in the TIME series as preparations for a microscope. The transience of a few years captured between 2 acrylic plates. Fungi develop, shapes and colors change. A layer is added after each growing season.
TIME 10, 2024, acrylic glass, flowers, nuts and bolts, 25 x 19 cm. Plants grown in the garden are processed in the TIME series as preparations for a microscope. The transience of a few years captured between 2 acrylic plates. Fungi develop, shapes and colors change. A layer is added after each growing season.
TIME 06, 2022-present, acrylic glass, flowers, nuts and bolts, 25 x 19 cm. Plants grown in the garden are processed in the TIME series as preparations for a microscope. The transience of a few years captured between 2 acrylic plates. Fungi develop, shapes and colors change. A layer is added after each growing season.
TIME 06, 2025
TIME 04, 2023-present, acrylic glass, flowers, nuts and bolts, 25 x 19 cm. Plants grown in the garden are processed in the TIME series as preparations for a microscope. The transience of a few years captured between 2 acrylic plates. Fungi develop, shapes and colors change. A layer is added after each growing season.
TIME 01, 2022-present, acrylic glass, flowers, nuts and bolts, 25 x 19 cm. Plants grown in the garden are processed in the TIME series as preparations for a microscope. The transience of a few years captured between 2 acrylic plates. Fungi develop, shapes and colors change. A layer is added after each growing season.
TIME 01, 2025
In the Garden of My Mind 6, 2022, photo, edited plexiglass, aluminium, 27 x 20cm. The manually sanded perpex top layer makes it look as if the flowers have been pressed behind frosted glass. An ode to nature frozen in time.
In the Garden of My Mind 5, 2024, foto, bewerkt plexiglas, aluminium, 27 x 20 cm. Door de handmatig opgeschuurde perspex toplaag lijkt het alsof de bloemen, gekweekt in eigen tuin, achter melkglas zijn geperst. Een ode aan de natuur stilgezet in de tijd.
In the Garden of My Mind 2, 2022, photo, edited plexiglass, aluminium, 27 x 20cm. The manually sanded perpex top layer makes it look as if the flowers have been pressed behind frosted glass. An ode to nature frozen in time.
In the Garden of My Mind 3, 2022 photo, edited plexiglass, aluminium, 27 x 20cm. The manually sanded perpex top layer makes it look as if the flowers have been pressed behind frosted glass. An ode to nature frozen in time.
In the Garden of My Mind 1, 2022, photo, edited plexiglass, aluminium, 27 x 20cm. The manually sanded perpex top layer makes it look as if the flowers have been pressed behind frosted glass. An ode to nature frozen in time.
In the Garden of My Mind 4, 2022 photo, edited plexiglass, aluminium, 27 x 20cm. The manually sanded perpex top layer makes it look as if the flowers have been pressed behind frosted glass. An ode to nature frozen in time.
TOUCH 1, 2019, photo and butterfly in box, 18 x 15 x 3,5 cm.
TOUCH 2, 2019, photo and butterfly in box, 15 x 18 x 3,5 cm.
Kaap Hoorn , 2013, photo, perspex reverse mounting, dibond backing, 120 x 90 cm.
Formerum , 2013, photo, perspex reverse mounting, dibond backing, 120 x 90 cm.
Unholy Forests, 2013, photo, perspex reverse mounting, dibond backing, 120 x 90 cm.
Fagels Moor, 2013, photo, perspex reverse mounting, dibond backing, 120 x 90 cm.
Midsland-on-Sea, 2013, photo, perspex reverse mounting, dibond backing, 120 x 90 cm.
Hoornse Forest , 2013, photo, perspex reverse mounting, dibond backing, 120 x 90 cm.
TEST-RUN, 1993, sculpture, video; black and white monitors (without sound), synthetic leather, portholes, metal, 193x84x186 cm. Location: CCRix, Antwerp, Belgium (video7)
TEST-RUN, 1993, sculpture, video; black and white monitors (without sound), synthetic leather, portholes, metal, 193x84x186 cm. Location: CCRix, Antwerp, Belgium (video7)
TEST-RUN, 1993, sculpture, video; black and white monitors (without sound), synthetic leather, portholes, metal, 193x84x186 cm. Detail spinning video image. Location: CCRix, Antwerp, Belgium (video7)
TEST-RUN, 1993, sculpture, video; black and white monitors (without sound), synthetic leather, portholes, metal, 193x84x186 cm. Detail spinning video image. Location: CCRix, Antwerp, Belgium (video7)
FRIENDSHIP 7, 1993, diapositive transparent text pressed between 2 sheets of acrylic glass, 60 x 60 cm. Location: Kunstencentrum Viernulvier (formerly De Vooruit), Ghent, Belgium.
LITTLE NEMO, 1991,sculpture, photo, handprint on baryta-coated paper, historical sound recordings; astronauts who give a direct account of their discoveries in space, 320x120x10 cm rising to 50 cm. Location: Kunstencentrum Viernulvier (formerly De Vooruit), Ghent, Belgium.
LITTLE NEMO, 1991,sculpture, photo, handprint on baryta-coated paper, historical sound recordings; astronauts who give a direct account of their discoveries in space, 320x120x10 cm rising to 50 cm. Location: Kunstencentrum Viernulvier (formerly De Vooruit), Ghent, Belgium.
PERSONAL PREFERENCE KIT, 1992/ 1994, 6 sculptures, light, photo, duratrans, portholes, size per segment 42x21x108 cm rising to 125 cm. Location: Gallery d’Eglantier, Amsterdam.
PERSONAL PREFERENCE KIT, 1992/ 1994, 6 sculptures, light, photo, duratrans, portholes, size per segment 42x21x108 cm rising to 125 cm. (Detail) Location: Gallery d’Eglantier, Amsterdam.
WATCHING, 1989/1990, sculpture, photo, handprint on baryta-coated paper, video, sound, 240x 220×240 cm. Location: Bonner Kunstverein, Bonn, Germany (4.videonale), Kunstencentrum Viernulvier (formerly De Vooruit), Ghent, Belgium.
WATCHING, 1989/1990, sculpture, photo, handprint on baryta-coated paper, video, sound, 240x220x240 cm (top view) Location: Bonner Kunstverein, Bonn, Germany (4.videonale), Kunstencentrum Viernulvier (formerly De Vooruit), Ghent, Belgium.
WATCHING, 1989/1990, video stills, sculpture, photo, handprint on baryta-coated paper, video, sound, 240x220x240 cm. Location: Bonner Kunstverein, Bonn, Germany (4.videonale), Kunstencentrum Viernulvier (formerly De Vooruit), Ghent, Belgium.
WATCHING I, 1989, sculpture, photo, handprint on baryta-coated paper, glass, 110x40x45 cm, centerpiece lower (private collection).
KALEIDOSCOPE, 1989/1990, sculpture, photo, handprint on baryta-coated paper, glass, 15x150x130 cm, center point lower (private collection).